In the next shot, he has his left hand in his pocket. When Eames and Saito are in the hotel elevator, Saito's right hand is on Eames' shoulder. His hand is in a different place just after the camera shows the mirror. In the beginning when you see the old man sitting at the table, one of his guards brings him a top that they found with Cobb. He sets it down so it leans to the side with the bottom point touching the table.
In the next frame, the longer top point is touching the table. In most of the shots of the hotel elevator opening its doors and letting people off, a mechanical bell is heard.
However, in the second to last of these shots, an electronic bell is heard. When Eames enters the taxi, we do not see the stairs behind Robert anymore but instead a different background. Arthur fights a projection in the rotating hallway, and they slide into a room. When everything finally comes to a stop, and he shoots the projection, he curls up to his left. When he gets up, he straightens up from his right.
Cobb stops the car in a crosswalk at an intersection to pick up Ariadne. As soon as she enters, the car is broadsided by a train, in the middle of the intersection.
When Ariadne is adjusting the large mirrors under the bridge, she walks past Cobb and stops in front of the mirror, but in the following shot she is much further away from Cobb than she previously was. The error is that the watch is shown upside down when the expectation is that it will be shown right-side up since the audience is led to believe that they are seeing it from Cobb's perspective. When Cobb confronts Mal at the hotel, in front of the open window with billowing curtains, a crew member's fingertips can be seen through the sheer fabric.
When Arthur arrives in the hotel to get Cobb for their ride on the roof, the reflection of the window reveals a moving boom pole, possibly a C-stand and the boom operator himself. During the chase sequence in Mombasa filmed in Morocco , the cars' steering wheels are on the left. In Kenya, where Mombasa is located, steering wheels are on the right. After the initial dream sequence, on board the bullet train, Cobb states that he's " Kyoto is over miles away from Tokyo.
Saito's helicopter takes off from a rooftop in Tokyo, with the distinctive red and white Tokyo Tower in the background of several shots. But it lands moments later at the ultra-modern Farnborough Airport in England, more than 5, miles away. During the overview shot of Tokyo, a police car siren is heard in the background audio.
This style of siren is used by American police cars, not Japanese cars. In Mombasa, the cars have yellow license plates in the front and back. Kenyan cars have white plates in front, and yellow plates in back. The camera switches back and forth between Cobb and Ariadne several times. When it switches back to Cobb, the man in the yellow jacket passes once again. The person in the jacket is a projection and based on what the movie explains, projections behave a lot like extras.
This means the same projection may reappear like that. When the bus on the bridge hits the guardrail, it flies horizontally for some time, but the passengers immediately become weightless. That is correct; weightlessness is caused by acceleration, not speed. Falling is a vertical acceleration, and gravity will immediately cause the bus to fall as soon as it is no longer supported by the bridge.
The characters dream during a hour flight from Sydney to Los Angeles on a Boeing In real life, a flight from Sydney to LAX takes at least The characters need 10 hours to complete the inception, regardless of how long the flight takes. US citizens only need to fill out a smaller blue customs declaration form. Cobb clearly declines the white form. The flight attendant also offers Fischer an I He takes it and sets it down. Fischer is an Australian citizen; his passport is visible when he sits down and Cobb looks at it.
However, flight attendants regularly give immigration forms to passengers who don't need them. When the train engine hits the cars, it is clearly affected by the mass of the cars it pushes, and its bouncing movements suggest some form of suspension or rubber wheels.
A real freight engine weighs more than metric tons, far more than the cars it hits. It would not give way or bounce when hitting cars. However, the train appears in a dream, so the laws of physics may not apply. In real life it would not continue in a straight line. Dedicated to identifying aircraft throughout Movies, Television, and Video Games!
Jump to: navigation , search. Navigation menu Personal tools Log in. Namespaces Page Discussion. The movie couldn't give enough time to get into the details of dream exploration and its ramifications.
For instance, how you deal with a world where somebody can hack your mind. Maybe he's not paranoid about it for the same reason we aren't paranoid about people stealing our emails. It happens, but very few people walk around sweating about somebody breaking into the cloud and stealing all their nudes until it happens, then they're always, "I didn't think this could happen! He gets antivirus software training and goes about his life.
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